The E Major Scale - Complete Piano Lesson & Practice Guide (2025)

When you’re learning to play the E major scale on the piano, approaching it with your hands alone is a good starting point. In order to visualize the pattern of the scale clearly, it’s important to know thecore positionsof the scale.

Core positions are groupings of notes and fingers that divide the scale into two distinct patterns. The core positions of a scale always consist of one group of 3 notes, played with fingers 1-2-3 (shown in red on the chart), and one group of four notes, played with fingers 1-2-3-4 (shown in blue on the chart).

In the case of the E major scale, the top E of the scale in the right hand and the bottom E of the scale in the left hand (shown in green on the chart) are not part of the core positions, and are played with the 5th finger on the top of the scale (right hand) and the bottom of the sale (left hand).

The scale charts below will help illustrate the core positions of the E major scale.

It’s helpful to practice the core positions in three steps:

1. Block:Play all the notes of the core position at the same time in clusters up and down the piano. This will help you clearly visualize the core positions in their entirety and get used to seeing the repeating pattern.
2. Crawl:Play up and down the scale one note at a time, but hold down the notes as you play and pause once the notes of each core position are fully down. This reinforces the muscle memory for the groupings of the core positions.
3. Anticipate:Play the scale up and down one note at a time, releasing each finger as you play the next one (legato touch) but keeping the core positions in your mind’s eye as you travel up and down the piano.

Once you feel comfortable playing the scale with your hands separately, the next step is to put your hands together, but because the core positions don’t exactly line up when the hands play together, you may find it to be a bit confusing to focus on the core positions while playing the hands together.

For this reason, it can be more helpful to think aboutsync pointsthan core positions when playing hands together.

Sync points are moments in the scale when your fingers unify and play together on either the same finger, or a group of fingers that are a mirror image.

The second sync point occurs in the two-note group of white keys D and B, where your 1st and 2nd fingers form a mirror image position. (I sometimes refer to this position as the “crab claw” because it looks a bit like a pincer shape.) If you play this sync point together, you can feel the stability of these two notes and it becomes much less likely that you will second guess your finger placement when you shift positions going up or down the scale.

To practice sync points, use the same block, crawl, anticipate approach:

1. Block:Locate and play each sync point on its own outside the context of the scale.
2. Crawl:Play the scale ascending and descending, but stop on the sync points and hold them (There’s no need to try and maintain a legato touch in this case.) Look at the sync points and visualize their place in the scale and what it looks and feels like at the moment they happen.
3. Anticipate:Play the scale up and down one note at a time in a steady rhythm, visualizing the sync points in advance and then landing on them confidently with a slight accent as you play the scale.A

Once you get confident playing the E major scale in one octave, you can expand the scale to cover more of the range of the keyboard. To add more octaves, follow these steps:

• Right hand: instead of ending the scale with finger 5 after one octave, keep repeating the core positions until the endpoint further up the piano, whether it’s 2, 3, or 4 octaves higher.
• Left hand: simply continue the core positions going up instead of turning back around after one octave. When descending, replace the 5th finger on the keynote E with the 1st finger until you reach the bottom, where you’ll finally play the 5th finger to end the scale.

Common mistakes or challenges you may encounter when practicing the A major scale are:

• Missing black keys: In this scale, you may struggle to hit the correct black keys, or panicking at the last minute to get your fingers up to them. If you’re experiencing this problem, try scooting your hand up a little closer to the median (where the black and white keys meet) so that your fingers rest on the black keys immediately after changing positions.
• Descending fingering: Watch out for a the common mistake of putting finger 4 on B in the left hand, especially when descending, instead of tucking your thumb under to unfold into the four-note core position. If your thumb anticipates this shift by moving under a little sooner, you’ll be more likely to avoid this problem.

Other techniques related to the E major piano scale:

• E major chords
• E major arpeggios
• E major 5-finger pattern